Ephemera – Dunfermline Linen Co.

Restored Ghost Sign, New Row, Dunfermline

Restored Ghost Sign, New Row, Dunfermline

Restored ghost sign in New Row Dunfermline. Does this now make it a sign haunted by a ghost sign?

Now Playing: Triosk – Moment Returns

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Ephemera – We Walked Side by Side

Peacock dérive

From the shadows in the twilight

a glint of iridescence.

We walked side by side

through a car park today.

From the shadows - a glint of light

Now Playing: Eivind Aarset – Dream Logic

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Ephemera – Car Park Portal

Car Park Portal, Dunfermline

Car Park Portal, Dunfermline

Now Playing: Bruce Gilbert – This Way

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Through fence and over field, to beyond the hem of trees.

through fence

and over field – to

beyond the hem

of trees.

Thanks to all who have taken time to read any of the postings this year. It has been much appreciated and a delight to interact with so many creative and interesting folk. Whether you chose to celebrate, or not, best wishes to all for a peaceful and enjoyable week and onwards to new openings and possibilities for Year 2013.

And just having a look at what Henry David Thoreau was writing in his journal on 24th December 1841:

I want to go soon and live away by the pond, where I shall hear only the wind whispering among the reeds. It will be success if I shall have left myself behind. But my friends ask what I will do when I get there. Will it not be employment enough to watch the progress of the seasons?

http://commons.wikimedia.org/wiki/File:Walden_Pond.jpg

Walden Pond

Now playing: Jan Bang, Erik Honoré – Uncommon Deities. (With David Sylvian, Sidsel Endresen, Arve Henriksen, John Tilbury & Philip Jeck).

Reference:

The Journal, 1837-1861 by Henry David Thoreau; preface by John R. Stilgoe, edited by Damion Searls (New York: New York Review Books classics, 2009).

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Soundtracks of 2012

Selected Soundtracks 2012

Selected Soundtracks 2012

Our soundtracks of 2012 have been characterised by works of substance:

- the long take and the inner journey

- sounds captured at the threshold of perception

- sounds that affect the body

- sounds to dwell in

- sounds to travel in.

♦♦♦

Our top 30 in alphabetical order:

AlogUnemployed (Rune Grammofon) (Full 4xLP version)

Oren AmbarchiAudience of One (Touch)

Oren AmbarchiSagittarian Domain (Editions Mego)

Oren Ambarchi and Thomas BrinkmannThe Mortimer Trap (Black Truffle)

John CageJohn Cage 100 Box (Wergo)

Don CherryOrganic Music Society (Caprice) (Reissue)

Sidsel Endresen & Stian WesterhusDidymoi Dreams (Rune Grammofon)

Jean-Claude EloyYo-In (Hors Territoires)

ErstlaubMarconi’s Shipwreck (Broken20)

Morton FeldmanCrippled Symmetry: At June in Buffalo (Frozen Reeds)

FougouFurther From the Centre of Disturbance (Greengage Sounds)

Hallock HillThe Union | A Hem Of Evening (MIE)

Thomas KönerNovaya Zemlya (Touch)

Gregg Kowalsky and Jozef Van WissemMovements in Marble and Stone (Amish)

Brian LavelleThe Night Ocean (Dust, Unsettled)

Locrian and MamifferBless Them That Curse You (Profound Lore)

Bunita MarcusSugarcubes (TESTKLANG)

Now Wakes the SeaHot Cygnet Tape (The Geography Trip)

Duane PitreFeel Free (Important Records)

Porter RicksBiokinetics (Type) (Reissue)

Eliane RadigueFeedback Works 1969-1970 (Alga Marghen)

Akos Rozmann -12 Stationer VI (Ideologic Organ)

Richard SkeltonVerse of Birds (Corbel Stone Press)

Sleep Research FacilityStealth (Cold Spring)

Wadada Leo SmithTen Freedom Summers (Cuneiform Records)

Jakob UllmannFremde Zeit – Addendum (Edition RZ)

Mika Vainio / Kevin Drumm / Axel Dörner / Lucio CapeceVenexia (PAN)

Stian WesterhusThe Matriarch And The Wrong Kind Of Flowers (Rune Grammofon)

WITCHWe Intend to Cause Havoc (Now Again) (Reissue)

Nate WooleyThe Almond (Pogus)

♦♦♦

And a further fiery five of fun:

Elephant9 With Reine FiskeAtlantis (Rune Grammofon)

GoatWorld Music (Rocket Recordings)

Motorpsycho and Ståle Storløkken – The Death Defying Unicorn (Rune Grammofon)

Oren Ambarchi / Fire!In the Mouth – A Hand (Rune Grammofon)

Neil Young with Crazy HorsePsychedelic Pill (Reprise)

♦♦♦

Live Highlights:

Afternoon Tea (Ambarchi/Fennesz/Rowe/Rehberg/Pimmon) – HAU2, Berlin

Be a Hobo, The Music of Moondog – Carnegie Hall, Dunfermline

John Cage @ 100 Concert – John Tilbury, RSNO, Ivan Volkov, City Halls, Glasgow

The Fall – The Arches, Glasgow. (On the basis that any Fall gig that is not a complete car crash these days is a highlight)

Morton Feldman, Coptic Light and Charles Ives, The Unanswered QuestionRSNO, David Robertson, Usher Hall, Edinburgh

Morton Feldman, SQ2 – The Smith Quartet, City Halls, Glasgow

Tim Hecker – Pilrig St Paul’s Church, Edinburgh

Archie Shepp – Summerhall, Edinburgh

Patti Smith – ABC, Glasgow

Supersonic Festival – The Custard Factory, Birmingham

Now Playing: Bee Mask – Vaporware/Scanops

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The Woods and the Words

The stories are still told

of a time before the water.

When the earth lay heaped,

black and smouldering.

It is said that they tunnelled

u

n

d

e

                                      g          r          o          u          n          d

for black diamonds

to burn for warmth.

A structure survived

the darkest of

the dark days -

although, now, no one

is quite sure

what it was used for

Now.

now to simply be

amongst our co-dwellers

in this healing place.

If you remain still

for long enough

they become curious

and congregate,

silently swaying

with the wind.

A few season-cycles ago

the visitors started to return.

We listen for their arrival

always the calling first.

despite

bluebell

all that happened

stitchwort

the woods and the words

wild hyacinth

at least

oak

some of the words

hazel

and some of the woods

dog mercury

survive

And the thin

bleached light

of a pale sun

continues to shine

on  the white tree

of Harran Hill Wood.

♦                    ♦

This little field trip, possibly sent from another point in time (?), was inspired by frequent visits to a favorite place in Central Fife: Lochore Meadows or The Meedies as it is known locally.

The Meedies opened as a Country Park in 1976 following one of the largest and most ambitious industrial landscape renovation projects in Europe. This included the reclamation of 600ha of heavily contaminated land comprising six redundant coal mine sites, colliery buildings, mineral railways, refuse tipping, areas of subsidence and the towering pit bings (most of them burning) which rose to 60m over the surrounding countryside and settlements.

The Meedies is now a major centre for outdoor and environmental education with Loch Ore the largest area of standing water in Fife. It is an important habitat for wildfowl with significant numbers both over-wintering and breeding.  Otters, bats, water voles and even ospreys have been recorded within the park boundary. The acid grasslands of Clune Craig are botanically rich and also bear traces of hut-circles and enclosures from a Bronze age settlement.

The ‘structure’ in the photographs above is the reinforced concrete headframe of the ‘Big Mary’ No. 2 pit shaft, sunk in 1923.  It is one of only two such surviving structures in Fife and a monument to the Kingdom’s mining heritage. (The other is The Frances in Dysart). You can gain some impression of how the area looked when mining was in operation from this photograph:

The pit head is in the distance and the smouldering pit bings in the foreground. This photograph is from the fabulous web resource on the Fife Pits by Michael Martin which can be accessed here.

The original Loch Ore was drained in the 1790s when the landowner, Captain Parks, attempted to reclaim the land for cattle grazing. The project was a commercial failure and the land formerly occupied by the loch remained boggy. Parks was declared bankrupt in 1798. The loch gradually returned in the mid 20th century, when coal mining flourished and the mineral railway serving the pithead became an embankment surrounded by water. The return of the loch was mainly due to subsidence caused by mining, and the ‘new’ loch now occupies a different footprint to the original. The loch is now stabilised but its depth still fluctuates. The islands in the loch are the remains of the former railway embankment.

To the north west lies Harran Hill Wood which sits on a rocky ledge between Loch Ore and Benarty Hill.  Botanical studies indicate a strong possibility that this site may have been wooded since shortly after the last Ice Age c. 10,000 years ago.

Whilst writing this, I’m listening to a composed piece called After The Rain by Barry Guy, perhaps better known as a free improviser.  I don’t think I had ever read the sleeve notes before but was intrigued to learn that it was partly inspired by the Max Ernst painting Europe After the Rain. As Guy says in the sleeve notes:

“The canvas portrays four large masses of tortuous baroque-like remains as if left after some unfathomable catastrophe…these images invite the viewer to speculate on the nature of the events. Here in Europe After the Rain could be the apotheosis of anxiety and destruction or the emergence of new life from the ruins. I am drawn to the latter…”

Now Playing: Barry Guy and City of London Sinfonia – After the Rain

Reference:

Fife Council Lochore Meadows Country Park Development Plan, November 2008.

Michael Martin, Fife Pits and Memorial Book, http://www.users.zetnet.co.uk/mmartin/fifepits/

Miles K Oglethorpe, (2006), Scottish Collieries: An Inventory of the Scottish Coal Industry in the Nationalised Era (Edinburgh, The Royal Commission on the Ancient and Historical Monuments of Scotland).

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On Samhain

The moon gazed on my midnight labours, while, with unrelaxed and breathless eagerness, I pursued nature to her hiding-places.

Mary Shelley

at the cusp of light and darkness

through veil of in-world and out-world

they arrive.

~~~

And if in Edinburgh look to the skies:

Witches over Edinburgh

Witches over Edinburgh (1923).

Endpiece from Dramatisations of History: The Masque of Ancient Learning and Its Many Meanings by Patrick Geddes, Edinburgh: Patrick Geddes and Colleagues, (1923).

Now Playing:  Rhys Chatham – A Rite for Samhain (From The Bern Project).

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